"Sarah Kirkland Snider is, quite simply, one of my favorite living composers," Stephen Rodgers, host of Resounding Verse, says on the latest episode of the podcast about poetry and song. "I love her vocal works. She has a great sense for the human voice, she sets text beautifully." "Alleluia," the third movement of Mass for the Endangered, composed by Snider with a libretto by poet/writer Nathaniel Bellows, is the subject of the episode. You can hear the episode here.

"The Blue Hour, a cycle of songs by Caroline Shaw, Angelica Negrón, Sarah Kirkland Snider, Rachel Grimes and Shara Nova, who sings and narrates its 40 sections, is unforgettable," writes NPR Classical’s Tom Huizenga in naming the album to his list of the year’s ten best. The album has also made NPR Music's list of The 50 Best Albums of 2022 and year's best lists from the Boston Globe, New Sounds, Sequenza 21, and I Care If You Listen, which calls it "stunning."

The Blue Hour, a song cycle collaboration among composers Rachel Grimes, Angélica Negrón, Shara Nova, Caroline Shaw, and Sarah Kirkland Snider, is out now on New Amsterdam / Nonesuch Records. The piece was commissioned and performed by the chamber orchestra A Far Cry, who are joined by singer Shara Nova. Set to excerpts from Carolyn Forché’s epic poem On Earth, the music follows one woman’s journey through the liminal space between life and death via thousands of hallucinatory and non-linear images. You can take a quick look inside the album here.

"Finally bringing this recording to your ears, after so many years ... is a tremendous exhale and a collective accomplishment made possible by many small and many giant acts of generosity," Shara Nova writes in a new essay about the creation of The Blue Hour, a song cycle collaboration among composers Rachel Grimes, Angélica Negrón, Caroline Shaw, Sarah Kirkland Snider, and Nova, who performs the piece with the commissioning chamber orchestra A Far Cry on the album out this Friday.

With one month till the October 14 release of The Blue Hour, a song cycle written collaboratively by the female composers Rachel Grimes, Angélica Negrón, Shara Nova, Caroline Shaw, and Sarah Kirkland Snider, comes an album trailer featuring footage from the recording sessions with the chamber orchestra A Far Cry and vocal soloist Nova, narrated by the composers. You can watch it here. Set to excerpts from Carolyn Forché’s epic poem On Earth, The Blue Hour amplifies the beauty, pain, and fragility of human life from a collective female perspective.

The Blue Hour, a song cycle born of a collaboration among five composers—Rachel Grimes, Angélica Negrón, Shara Nova, Caroline Shaw, and Sarah Kirkland Snider—will be released October 14 on New Amsterdam / Nonesuch Records. The piece was commissioned and performed by the chamber orchestra A Far Cry, who are joined by singer Shara Nova. Set to excerpts from Carolyn Forché’s epic poem On Earth, the music follows one woman’s journey through the liminal space between life and death via thousands of hallucinatory and non-linear images. Exploring memories of childhood, war, love, and loss, The Blue Hour amplifies the beauty, pain, and fragility of human life from a collective female perspective.

Composer Sarah Kirkland Snider has released a video for 'Agnus Dei' from her acclaimed album Mass for the Endangered, performed by Gallicantus led by Gabriel Crouch. The video is the sixth and final in the series by visual artist CandyStations, aka Deborah Johnson.

Composer Sarah Kirkland Snider has shared a video for "Gloria" from her album Mass for the Endangered. The video by CandyStations, aka Deborah Johnson—the fifth video in the series for the album from Johnson—can be seen here; a special interactive version, made with Louise Lessél, is also available.

Composer Sarah Kirkland Snider has released a video for 'Credo' from her critically acclaimed new album, Mass for the Endangered. The video by CandyStations, aka Deborah Johnson, is the fourth in the series for the album from the visual artist, following 'Alleluia,' 'Kyrie,' and 'Sanctus/Benedictus.'

Sarah Kirkland Snider "asserts her own musical personality as a composer who knows instinctively how to write for the human voice," says Tom Huizenga in his review of her Mass for the Endangered on NPR's All Things Considered, which you can hear here. "Both the choir [Gallicantus] and the 12-member orchestra, conducted by Gabriel Crouch, respond to Snider's music with richly tailored performances ... Through her smart and resplendent exploration of age-old musical formulas, Snider's eco-inspired Mass for the Endangered is a blast from the past that resonates profoundly in the present."

Composer Sarah Kirkland Snider’s Mass for the Endangered, is out now on New Amsterdam and Nonesuch Records. A video for “Alleluia” from the Mass, the third video for the project made by Deborah Johnson / CandyStations, can be seen here. Snider’s Mass, with a libretto by poet/writer Nathaniel Bellows, is a celebration of, and an elegy for, the natural world—animals, plants, insects, the planet itself—an appeal for greater awareness, urgency, and action. Originally commissioned by Trinity Church Wall Street, this recording features the English vocal ensemble Gallicantus conducted by Gabriel Crouch.

Composer Sarah Kirkland Snider has released 'Kyrie,' the opening movement on her upcoming album, Mass for the Endangered, due September 25, along with a video for it by CandyStations, aka Deborah Johnson, who is making a video for each track on the album. The 'Kyrie' video features original artwork and hand-drawn animations by Nathaniel Bellows, who also created the libretto for Mass for the Endangered and its cover art. You can watch it here.